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    The End Of Violence

    Movie producer Mike Max meditates on the paranoia of fear of attack, in the movie business and life in general, as his wife Page announces she is leaving him. Ā Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for disappearance of Max which is led by detective Doc Block.
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  • Actors of "The End Of Violence"

  • Characters of "The End Of Violence"

    Ray Bering. Character of The End Of Violence
    Played by: Gabriel Byrne
    Zoltan Kovacs. Character of The End Of Violence
    Played by: Udo Kier
    Guy in Bar. Character of The End Of Violence
    Played by: Michael Massee
  • Directors of "The End Of Violence"

    Wim Wenders. Director of The End Of Violence
    Wim Wenders
    Birthdate: 14 August 1945, DĆ¼sseldorf, North Rhine-Westphalia, Germany
  • Creators of "The End Of Violence"

    Nicholas Klein. Director of The End Of Violence
    Nicholas Klein
    Wim Wenders. Director of The End Of Violence
    Wim Wenders
    Birthdate: 14 August 1945, DĆ¼sseldorf, North Rhine-Westphalia, Germany
  • Critic Reviews of "The End Of Violence"

    Globe and Mail
    July 12, 2002

    A longwinded exercise in pretentious confusion.

    USA Today
    January 01, 2000

    Skip the movie but buy the CD.

    Houston Chronicle
    January 01, 2000

    This goes on for two hours and two minutes. When I staggered out of the theater, I asked if Clinton was still president.

    San Francisco Chronicle
    January 01, 2000

    A meandering mess, a plodding dud.

    January 01, 2000

    Offers viewers opportunities to ponder a variety of diverse subjects, but its overall entertainment value is less than one might hope for.
    January 01, 2000

    A muddled, sentimental Euro-American hash, redeemed here and there from its fatal purposelessness by a few moments that remind us we're in the presence of a genuine cinematic visionary.

    Combustible Celluloid
    March 27, 2015

    [Has] many potent moments.
    January 05, 2009

    A disjointed mess where a lot goes on but nothing happens.
    September 28, 2005

    Boring, incoherent and insultingly didactic. It's like Wenders has never been to America, never observed Americans and never even seen an American movie.

    Shadows on the Wall
    November 08, 2004

    astonishing but uneven

    Boxoffice Magazine
    June 05, 2002

    Wenders' observations and subtextual commentary about violence in American society are well-served by the nuances of Nicholas Klein's script.

    Cinema em Cena
    May 31, 2002

    A trama principal se perde em um emaranhado de cenas que, rigorosamente, nada acrescentam ao filme.

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