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    The Crucible

    A Salem resident attempts to frame her ex-lover's wife for being a witch in the middle of the 1692 witchcraft trials.
    Duration: 124 min
    Quality: HD
    Release: 1996
    IMDb: 6.8
    5
    Rating
    (1) Voted
    0 Comments
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  • Actors of "The Crucible"

  • Characters of "The Crucible"

    John Proctor. Character of The Crucible
    Abigail Williams. Character of The Crucible
    Played by: Winona Ryder
    Judge Thomas Danforth. Character of The Crucible
    Played by: Paul Scofield
    Elizabeth Proctor. Character of The Crucible
    Played by: Joan Allen
    Rev. Samuel Parris. Character of The Crucible
    Played by: Bruce Davison
    Reverend Hale. Character of The Crucible
    Played by: Rob Campbell
    Thomas Putnam. Character of The Crucible
    Played by: Jeffrey Jones
    Giles Corey. Character of The Crucible
    Played by: Peter Vaughan
    Mary Warren. Character of The Crucible
    Played by: Karron Graves
    Tituba. Character of The Crucible
    Ann Putnam. Character of The Crucible
    Played by: Frances Conroy
    Rebecca Nurse. Character of The Crucible
    Martha Corey. Character of The Crucible
    Judge Hathorne. Character of The Crucible
    Played by: Robert Breuler
    Betty Parris. Character of The Crucible
    Played by: Rachael Bella
    Francis Nurse. Character of The Crucible
    Played by: Tom McDermott
    Ezekiel Cheever. Character of The Crucible
    Played by: John Griesemer
    Marshal Herrick. Character of The Crucible
    Played by: Michael Gaston
    Sarah Good. Character of The Crucible
    Played by: Sheila Pinkham
    Mercy Lewis. Character of The Crucible
    Played by: Kali Rocha
  • Directors of "The Crucible"

    Nicholas Hytner. Director of The Crucible
    Nicholas Hytner
    Birthdate: 7 May 1956, Manchester, England, UK
  • Creators of "The Crucible"

    Arthur Miller. Director of The Crucible
    Arthur Miller
    Birthdate: 17 October 1915, Harlem, Manhattan, New York City, New York, USA
  • Critic Reviews of "The Crucible"

    Wall Street Journal
    May 17, 2013

    Then there's always Mr. Scofield, bringing an almost unbearable, yet entirely believable, lightness of spirit to his loathsome character. It's a bold stroke by a great actor, making zealotry and evil seem positively beneficent.

    Newsweek
    May 17, 2013

    I recommend Hytner's movie highly, but a part of me resists a work that makes the audience feel as noble in our moral certainty as the characters it invites us to deplore. Some part of its power seems borrowed from the thing it hates.

    TIME Magazine
    May 17, 2013

    Her cheeks flush, her winsome beauty seared with erotic rage, Ryder exposes the real roots of the piece. Forget McCarthyism; The Crucible is a colonial Fatal Attraction.

    Seattle Times
    May 17, 2013

    Too bad, though, that The Crucible fails to probe deeper into the sexual, religious, and political conditions that can give false accusations so much power -- even today.

    AV Club
    May 17, 2013

    Arthur Miller's screenplay keeps everything nice and faithful to the period, and the actors have the dirt on their hands to prove it. The movie lacks polish as well, and that's to everyone's benefit.

    Philadelphia Inquirer
    May 17, 2013

    I very much admire how Hytner... keeps the pace swift and doesn't fetishize the 17th-century decors and clothes. But I can't help feeling that in more ways than one, The Crucible is a period piece.

    Common Sense Media
    January 26, 2016

    Plodding film based on play has mature themes, sex, violence

    Total Film
    May 17, 2013

    A McCarthy-era retelling of the Salem witch trials, Arthur Miller's 1953 play is a literary classic, but this adap falls short.

    TV Guide
    May 17, 2013

    The story's sickening spiral into madness is preserved.

    Film4
    May 17, 2013

    An intelligent and gripping epic.

    Christian Science Monitor
    May 17, 2013

    The story is unchanged, but its theme relates surprisingly well to today's versions of the bias and scapegoating that Miller rightly deplores.

    Baltimore Sun
    May 17, 2013

    The physical production of the film is so authentic and compelling, you can't get beyond it, not for a second.

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