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    Louise and Kasper want to become parents but Louise is unable to have children. They then make a bargain with their Romanian maid to serve as a surrogate. When the child inside her begins growing too quickly, it becomes clear that a sinister force is overtaking all of them.
    Genre: Drama Horror
    Country: Euro
    Duration: 92 min
    Quality: HD
    Release: 2016
    IMDb: 5.2
    (2) Voted
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  • Actors of "Shelley"

  • Directors of "Shelley"

    Ali Abbasi. Director of Shelley
    Ali Abbasi
  • Creators of "Shelley"

    Ali Abbasi. Director of Shelley
    Ali Abbasi
    Maren Louise KƤehne. Director of Shelley
    Maren Louise KƤehne
  • Critic Reviews of "Shelley"

    Los Angeles Times
    July 28, 2016

    It's no "Rosemary's Baby" - or even "It's Alive" - but the Danish supernatural thriller "Shelley" is a fair addition to the "natal horror" genre.

    New York Times
    July 28, 2016

    Maybe expecting a horror film to have a point is expecting too much. In any case, the two actresses give committed performances on the way to a veiled ending.

    El antepenĆŗltimo mohicano
    October 11, 2016

    A risky and uncomfortable film, not suitable for sensitive people with the unusual virtue of not succumbing to the demands of a more commercial cinema. [Full review in Spanish]

    July 29, 2016

    Part Gothic horror, part body horror and part social commentary, Shelley is an atmospheric and thoughtful chiller with real power.

    The Film Stage
    July 28, 2016

    Atmosphere and mood are the film's strong suit, both growing thickly heavy as time elapses and strange occurrences commence.

    The Playlist
    July 26, 2016

    A classy take on the often trashy pregnancy horror category, with a subtle social critique underlying its neo-gothic texture.

    We Got This Covered
    July 23, 2016

    The difference between Shelley's first and second halves is stark in comparison, but thankfully it only gets better as the seconds pass.

    Projected Figures
    July 22, 2016

    in this story of pernicious, all-consuming loss, the name [Shelley] furnishes a key, pregnant with possibilities, for interpreting the film's fertile nexus of frictions and associations.

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