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    Best F(r)iends Volume 1

    Jon Kortina is a young whose fate puts him in the way of a weird mortician called Harvey Lewis. Jon was searching for a job and Harvey offers him a work in his mortuary. By passing time together, they become friends and start a new business together selling golden things that they collect from the dead's teeth.
    Genre: Comedy Thriller
    Country: United States
    Duration: 93 min
    Quality: HD
    Release: 2017
    IMDb: 5.4
    0.5
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    (1) Voted
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  • Actors of "Best F(r)iends Volume 1"

  • Characters of "Best F(r)iends Volume 1"

    Jon Kortina. Character of Best F(r)iends Volume 1
    Played by: Greg Sestero
    Harvey Lewis. Character of Best F(r)iends Volume 1
    Played by: Tommy Wiseau
    Traci Walton. Character of Best F(r)iends Volume 1
  • Critic Reviews of "Best F(r)iends Volume 1"

    Concrete Playground
    July 16, 2018

    It won't tear you apart with laughter or leave you wondering how it got made, but very few films can manage that.

    The Sunday Age
    July 14, 2018

    Los Angles lore is referenced but never pursued, and director Justin MacGregor leans into the piecemeal ludicrousness with stylised sequences that embrace self-deprecating mockery.

    Film Inquiry
    July 03, 2018

    To really enjoy this picture, one must require severe acclimatisation to the 'so bad it's good' style of filmmaking, the only discernible way to get the most out of Justin MacGregor's tame debut.

    We Got This Covered
    April 04, 2018

    While it doesn't top the eccentricity of Wiseau's cult favorite, Best F(r)iends is written by a man who understands, probably more than anybody, the appeal behind The Room's creator.

    Film Threat
    April 02, 2018

    Tone deaf at almost every turn, Best F(r)iends won't have the same legs as The Room but could offer a night of fun with some of your closest f(r)iends. It's terrible.

    Birth.Movies.Death.
    April 02, 2018

    As for the film itself, director Justin MacGregor certainly plays into the absurdity of the script's strange premise and twisted plotting.

    Vue Weekly (Edmonton, Alberta)
    March 29, 2018

    The cinematography is half-way decent, the performances that aren't Wiseau's are enjoyable in the traditional sense, and the film moves at a steady clip, with no issues in continuity or plot.

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