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    An American in Paris

    American World War II veteran Jerry Mulligan, his friend and neighborĀ Adam CookĀ and French singerĀ Henri BaurelĀ struggle to find work in Paris. However, things become more complicated when two of them fall in love with the same woman,Ā wealthy Milo Roberts.
    Duration: 113 min
    Quality: SD
    Release: 1951
    IMDb: 7.2
    5
    Rating
    (1) Voted
    0 Comments
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  • Actors of "An American in Paris"

  • Characters of "An American in Paris"

    Jerry Mulligan. Character of An American in Paris
    Played by: Gene Kelly
    Lise Bouvier. Character of An American in Paris
    Played by: Leslie Caron
    Adam Cook. Character of An American in Paris
    Played by: Oscar Levant
    Milo Roberts. Character of An American in Paris
    Played by: Nina Foch
  • Directors of "An American in Paris"

    Vincente Minnelli. Director of An American in Paris
    Vincente Minnelli
    Birthdate: 28 February 1903, Chicago, Illinois, USA
  • Creators of "An American in Paris"

    Alan Jay Lerner. Director of An American in Paris
    Alan Jay Lerner
    Birthdate: 31 August 1918, New York City, New York, USA
  • Critic Reviews of "An American in Paris"

    Kate Cameron New York Daily News
    February 22, 2015

    Inspired by the late George Gershwin's impressionistic musical suite of the same name, the picture is one of the finest musicals Hollywood has ever produced.

    Tom Huddleston Time Out
    February 22, 2015

    Imperfect, then, but intermittently awe-inspiring.

    James Berardinelli ReelViews
    January 25, 2011

    Gene Kelly remains one of the best and brightest of the Golden Era musical stars and An American in Paris shows him in fine form.

    Variety Staff Variety
    February 19, 2008

    One of the most imaginative musical confections turned out by Hollywood in years.

    Don Druker Chicago Reader
    December 12, 2006

    While not nearly the musical it's cracked up to be, this 1951 film is absolutely required viewing for anyone who wants to see the studio system (MGM style) at its gaudiest, most Byzantine height.

    Tim Brayton Antagony & Ecstasy
    December 06, 2016

    The first three-quarters might be at best B-tier Freed Unit filmmaking, but those last 18 minutes are as precious as anything produced by studio-era Hollywood.

    Kate Muir Times (UK)
    February 22, 2015

    One of the great MGM musicals.

    Witney Seibold Nerdist
    February 22, 2015

    It's hard not to be charmed by Gene Kelly's featherweight smiles and amazing dancing. But the film as a whole is -- and let no one contradict me on this -- a complete trifle.

    Tony Sloman Radio Times
    February 03, 2014

    It still looks pretty good today, with marvellous Technicolored design, athletic dancing from Kelly and a superb Gershwin score, but some sequences have dated.

    Josh Larsen LarsenOnFilm
    June 04, 2013

    ...its defining trait is insistence.

    Philip French Observer (UK)
    October 30, 2011

    The Gershwin songs are magnificent, and the climactic ballet a tour de force that won the great Hungarian-born cameraman John Alton an Oscar.

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